Kurukshetra, Pṛthūdaka Tīrtha, and the Marriage of Saṃvaraṇa with Tapatī
ज्वलज्जटाकलापो ऽसौ दिवाकरसमीपगः शोभते वारुणिः श्रीमान् द्वितीय इव भास्करः
jvalajjaṭākalāpo 'sau divākarasamīpagaḥ śobhate vāruṇiḥ śrīmān dvitīya iva bhāskaraḥ
Dengan jalinan rambut gimbal yang menyala dan bergerak dekat Divākara (Surya), sang Vāruṇi yang mulia tampak bersinar laksana Bhāskara kedua.
{ "primaryRasa": "adbhuta", "secondaryRasa": "vira", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Tapas and yogic discipline are depicted as generating ‘tejas’ that can mirror cosmic brilliance; inner purification is presented as producing an outward luminosity recognized even in divine realms.
A descriptive cosmological/theophanic vignette aligned with Sarga-type material (depicting beings and their splendor in higher worlds), not a vaṃśa or manvantara listing.
The ‘second Sun’ metaphor signals the equivalence of spiritual illumination (tapas-tejas) with physical illumination (solar light), implying that realized ascetics participate in the same luminous principle that sustains the cosmos.