सुरेषु सर्वेषु वसामि चाहं विप्रेषु शास्त्रार्थरतेषु चाहम् । साध्वीषु नारीषु तथा वसामि विना गुणान्नास्मि वसामि कुत्रचित्
sureṣu sarveṣu vasāmi cāhaṃ vipreṣu śāstrārtharateṣu cāham | sādhvīṣu nārīṣu tathā vasāmi vinā guṇānnāsmi vasāmi kutracit
Aku bersemayam di dalam semua Dewa; Aku juga bersemayam di dalam para Brahmana yang mengabdikan diri pada makna sastra. Demikian pula Aku bersemayam pada wanita yang berbudi luhur. Namun tanpa kebajikan, Aku tidak bersemayam di mana pun.
Śakti personified (the woman)
Scene: An allegorical tableau: a radiant presence (Dharma/Śrī/Devī as ‘indwelling’) moving among devas, a seated brāhmaṇa expounding śāstra-artha, and a sādhvī woman with calm composure; the same presence turns away from a figure lacking virtues, leaving them in dimness.
Divine power abides where virtues and dharma are present—among the devas, the scripturally grounded, and the ethically pure.
No site is specified; the focus is on inner sacred geography—guṇa and dharma as the true abode of śakti.
No explicit ritual is given; the implied discipline is cultivation of guṇas through śāstra-study and righteous conduct.