Shloka 16
Śiva-Pūjākramaḥ — The Procedural Order of Shiva Worship
Pañcāvaraṇa & Upacāras
उक्त्वा प्रसाद्य च जपन्गणानांत्वेत्युप क्रमात् । वेदादीन् रुद्रचमकौ रुद्रसूक्तं च पंच च
uktvā prasādya ca japangaṇānāṃtvetyupa kramāt | vedādīn rudracamakau rudrasūktaṃ ca paṃca ca
Setelah berkata demikian dan memohon anugerah, ia pun memulai—dengan ‘japan gaṇānāṃ tvā’—lalu bertahap melantunkan Weda dan teks suci terkait, himne Rudra dan Camaka, juga Rudra-sūkta beserta lima doa utama.
Suta Goswami (narrating to the sages at Naimisharanya)
Tattva Level: pashu
Shiva Form: Sadāśiva
Sthala Purana: Not a sthala-episode; the verse frames Vedic-Rudra recitation as a means to propitiate Śiva’s gaṇas and obtain prasāda (grace) in a ritual sequence.
Significance: Establishes śruti-based Rudra-japa as a purifier and grace-invoking practice supportive of Śiva-bhakti and ritual eligibility (adhikāra).
Mantra: (Referenced) Rudra–Camaka (Śrī Rudram: Namaka and Camaka), Rudra-sūkta, and ‘five principal prayers’ (pañca).
Type: rudram
FAQs
It presents a Shaiva model of sādhana where divine grace is sought first, and then worship proceeds through disciplined japa and revered Vedic Rudra hymns—uniting devotion (bhakti) with scriptural recitation to purify the pashu (bound soul) toward Śiva (Pati).
By naming Rudra-chanting and ordered recitation, the verse supports Saguna worship—approaching Śiva with form and mantra through liturgical praise—commonly performed alongside Liṅga-pūjā as a sanctified, Veda-aligned mode of honoring Śiva’s manifest compassion.
Sequential japa and recitation of the Rudra (Namaka) and Camaka, together with Rudra-sūkta and key prayers—used as a structured liturgy for Śiva worship, especially in vrata contexts such as Mahāśivarātri and Rudrābhiṣeka.