Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
इति श्रीबृहन्नारदीयपुराणोत्तरभागे मोहिनीवसुसंवादे गंगामाहात्म्ये पूजादिकथं नाम त्रिचत्वारिंशत्तमोऽध्यायः ॥ ४३ ॥
iti śrībṛhannāradīyapurāṇottarabhāge mohinīvasusaṃvāde gaṃgāmāhātmye pūjādikathaṃ nāma tricatvāriṃśattamo'dhyāyaḥ || 43 ||
Demikian berakhir bab keempat puluh tiga, berjudul “Pūjādi-kathana (uraian pemujaan dan tata laku terkait)”, dalam bagian Gaṅgā-māhātmya pada Uttara-bhāga Śrī Bṛhan-Nāradīya Purāṇa, di dalam dialog Mohinī dan Vasu.
Sūta (colophon/closing formula of the text; chapter-end marker)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
This is the chapter-colophon, formally concluding Adhyāya 43 and identifying its theme—pūjā and allied observances—within the Gaṅgā-māhātmya, emphasizing the Purāṇic focus on tīrtha-based merit and dharmic practice.
While not a doctrinal teaching verse, it frames the chapter as guidance on worship (pūjā), which is a primary expression of bhakti in the Narada Purana’s tīrtha and mahatmya sections.
The verse functions as an anukramaṇikā-style marker (textual structuring and titling), reflecting traditional transmission practice; it does not directly teach a specific Vedāṅga like Vyākaraṇa or Jyotiṣa.