इस प्रकार अच्छे घोड़ोंसे जुते हुए सुवर्णमालामण्डित तीस हजार रथ भी उस समय इनका अनुसरण करते थे ।। एनमष्टशता: सूता: सुमृष्टमणिकुण्डला: । अब्र॒ुवन् मागधीै: सार्ध पुरा शक्रमिवर्षय:,जैसे महर्षिगण इन्द्रकी स्तुति करते हैं, उसी प्रकार पहले विशुद्ध मणिमय कुण्डल धारण किये आठ सौ सूत और मागध इनके गुण गाते थे
enaṃ aṣṭaśatāḥ sūtāḥ sumṛṣṭa-maṇi-kuṇḍalāḥ | abruvan māgadhaiḥ sārdhaṃ purā śakram ivarṣayaḥ ||
Sebagaimana para resi purba memuji Indra, demikian pula delapan ratus bard—para Sūta bersama para Māgadha—berhias anting laksana permata yang mengilap, melantunkan dengan nyanyian Māgadhī pujian atas kebajikan sang pahlawan ketika ia maju, dikelilingi kemegahan kuasa raja dan rombongannya.
अर्जुन उवाच
The verse highlights how public acclaim and royal pageantry are constructed through skilled praise-singers (Sūtas and Māgadhas). Ethically, it suggests that fame and authority are reinforced by social recognition, and it invites discernment between genuine virtue and the outward machinery of glorification.
Arjuna describes a grand royal procession: eight hundred professional bards, adorned with polished jewel-like earrings, accompany and loudly proclaim the hero’s qualities—likened to the way ancient sages praised Indra (Śakra).