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Shloka 21

शल्यपरिघातः (Śalya Under Encirclement) — Mahābhārata, Śalya-parva, Adhyāya 12

पोथयन्तौ तदान्योन्यं मण्डलानि विचेरतु: । क्रियाविशेषं कृतिनौ दर्शयामासतुस्तदा,वे दोनों युद्धकलाके विद्वान्‌ वीर, एक-दूसरेको कुचलते हुए मण्डलाकार विचरते और अपना-अपना विशेष कार्य-कौशल प्रदर्शित करते थे

pothayantau tadānyonyaṃ maṇḍalāni viceratuḥ | kriyāviśeṣaṃ kṛtinau darśayāmāsatuḥ tadā ||

Saat itu kedua kesatria yang mahir dalam seni perang saling menekan dan bergerak berputar membentuk lingkaran, masing-masing mempertunjukkan kepiawaian khasnya dalam laga.

पोथयन्तौcrushing, trampling
पोथयन्तौ:
Karta
TypeVerb
Rootपोथय् (caus. of पुथ्/पुथ्-)
Formpresent (vartamāna), parasmaipada, śatṛ (present active participle), masculine, nominative, dual
तदाthen
तदा:
Adhikarana
TypeIndeclinable
Rootतदा
अन्योन्यम्each other, mutually
अन्योन्यम्:
Karma
TypeIndeclinable
Rootअन्योन्य
मण्डलानिcircles, circular courses
मण्डलानि:
Karma
TypeNoun
Rootमण्डल
Formneuter, accusative, plural
विचेरतुःthey moved about, they ranged
विचेरतुः:
Karta
TypeVerb
Rootवि + चर्
Formperfect (liṭ), 3rd, dual, parasmaipada
क्रिया-विशेषम्a special feat/technique of action
क्रिया-विशेषम्:
Karma
TypeNoun
Rootक्रियाविशेष
Formmasculine, accusative, singular
कृतिनौthe skilled/able two
कृतिनौ:
Karta
TypeAdjective
Rootकृतिन्
Formmasculine, nominative, dual
दर्शयामासतुःthey displayed, they showed
दर्शयामासतुः:
Karta
TypeVerb
Rootदृश् (caus. दर्शय) + आ + अस्
Formperiphrastic perfect (liṭ), 3rd, dual, parasmaipada
तदाthen
तदा:
Adhikarana
TypeIndeclinable
Rootतदा

संजय उवाच

S
Sañjaya

Educational Q&A

The verse highlights that technical excellence (kriyāviśeṣa, kṛtinau) is morally neutral: when directed by the purposes of war, it becomes a force that sharpens conflict. In the Mahābhārata’s ethical horizon, prowess must be governed by dharma—otherwise skill merely perfects harm.

Sañjaya describes two expert fighters engaged in a close duel. They circle one another in maṇḍala-like movements—standard tactical footwork/chariot manoeuvring—while each demonstrates distinctive combat techniques, pressing and counter-pressing in an intense exchange.