Shloka 22
अध्याय १: महाप्रस्थानारम्भः
The Commencement of the Great Departure
ततः प्ररुरुदु: सर्वा: स्त्रियों दृष्टवा नरोत्तमान्
tataḥ praruruduḥ sarvāḥ striyo dṛṣṭvā narottamān | pūrvaṃ dyūte parāstāḥ pāṇḍavā yathā vanaṃ gatāḥ tathā tasmin divase draupadyā saha tān narottamān pāṇḍavān evaṃ gacchataḥ paśyantyo nagarasya sarvāḥ striyo ruroduḥ | kintu teṣāṃ sarveṣāṃ bhrātṝṇāṃ asyā yātrāyāṃ mahān harṣaḥ abhavat ||
Vaiśampāyana berkata: Maka, melihat para insan utama itu, semua perempuan pun menangis tersedu. Seperti dahulu para Pāṇḍava pergi ke rimba setelah kalah dalam permainan dadu, demikian pula pada hari itu—melihat para Pāṇḍava mulia berangkat bersama Draupadī—para perempuan kota meratap; namun bagi kelima saudara itu, perjalanan ini justru menjadi sumber sukacita yang agung.
वैशम्पायन उवाच
Educational Q&A
The verse contrasts public grief with the protagonists’ inner clarity: society mourns the loss of its protectors, while the Pāṇḍavas rejoice in choosing the dharmic culmination—letting go of power and embracing the final journey. It highlights impermanence and the ethical ideal of detachment after fulfilling one’s duties.
As the Pāṇḍavas depart the city on their great final journey, accompanied by Draupadī, the city’s women cry upon seeing them leave. The scene is explicitly likened to the earlier departure to the forest after the dice-game defeat, but now the brothers themselves feel great joy in this purposeful departure.