Shloka 75
स वत्सदन्तै: पृथुपीनवक्षा: समाचित: सो<थिरथिर्विभाति । सुपुष्पिताशोकपलाशशाल्मलि- य॑थाचलक्षन्दनकाननायुत:,चौड़े और मोटे वक्ष:स्थलवाले अधिरथपुत्र कर्णका शरीर वत्सदन्तनामक बाणोंसे व्याप्त होकर खिले हुए अशोक, पलाश, सेमल और चन्दनवनसे युक्त पर्वतके समान सुशोभित होने लगा
sa vatsadantaiḥ pṛthupīnavakṣāḥ samācitaḥ so 'thirathir vibhāti | supuṣpitāśokapalāśaśālmalī-yathācalakṣandanakānanāyutaḥ ||
Karna, putra Adhiratha, yang berdada lebar dan bidang, meski seluruh tubuhnya dipenuhi panah ‘Vatsadanta’, tampak tetap cemerlang—laksana gunung yang diselimuti rimbun hutan cendana serta dedaunan aśoka, palāśa, dan śālmalī yang sedang berbunga.
संजय उवाच
Educational Q&A
The verse highlights the kṣatriya ideal of steadfastness under suffering: even when wounded and surrounded by instruments of death, a warrior is praised for maintaining composure and radiance. Ethically, it reflects the epic’s tension between the horror of violence and the cultural valorization of courage and endurance in righteous combat.
Sañjaya reports that Karṇa’s body has been thoroughly pierced and covered by ‘Vatsadanta’ arrows. Despite the wounds, Karṇa appears splendid, and the poet uses a vivid nature-simile: he looks like a mountain adorned with blossoming forests—turning the battlefield image into a striking, tragic beauty.