Shloka 33

Devanagari script

हयाभ्यां च गजाभ्यां च रथाभ्यां च पदातिभि:

Transliteration

hayābhyāṁ ca gajābhyāṁ ca rathābhyāṁ ca padātibhiḥ

Translation

Dengan kuda dan gajah, dengan kereta perang, dan dengan prajurit berjalan kaki.

Word by Word

• हयाभ्याम्: by/with two horses
• हयाभ्याम्: Karana
• Type: Noun
• Root: हय
• Form: Masculine, Instrumental, Dual

• च: and
• Type: Indeclinable
• Root: च

• गजाभ्याम्: by/with two elephants
• गजाभ्याम्: Karana
• Type: Noun
• Root: गज
• Form: Masculine, Instrumental, Dual

• च: and
• Type: Indeclinable
• Root: च

• रथाभ्याम्: by/with two chariots
• रथाभ्याम्: Karana
• Type: Noun
• Root: रथ
• Form: Masculine, Instrumental, Dual

• च: and
• Type: Indeclinable
• Root: च

• पदातिभिः: by/with foot-soldiers (infantrymen)
• पदातिभिः: Karana
• Type: Noun
• Root: पदाति
• Form: Masculine, Instrumental, Plural

Speaker

संजय उवाच

Characters & Entities

• Sañjaya
• horses
• elephants
• chariots
• foot-soldiers (infantry)

Educational Q&A

What is the core teaching?

The line underscores the totality and intensity of armed conflict—war draws in every arm of the host (cavalry, elephants, chariots, infantry). Ethically, it frames the gravity of kṣatriya warfare: decisions and consequences unfold amid vast, organized violence affecting all ranks.

What is happening in the narrative?

Sañjaya is describing the battlefield scene in Drona Parva, indicating that the action involves all major military units—horses, elephants, chariots, and foot-soldiers—suggesting a dense, large-scale engagement.