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Shloka 2

Daiva–Puruṣakāra Discourse and the Elephant-Corps Engagement (भीमगजानीक-सम्भ्रान्ति)

चरन्तं गदया वीरं दण्डहस्तमिवान्तकम्‌ । योधयामास समरे कालिड्र: सह सेनया

dhṛtarāṣṭra uvāca |

carantaṁ gadayā vīraṁ daṇḍahastam ivāntakam |

yodhayāmāsa samare kāliṅgaḥ saha senayā ||

Dhṛtarāṣṭra berkata: “Ketika Bhīmasena yang gagah berkelana di medan perang dengan gada di tangan, ia tampak laksana Maut sendiri—Yama pemegang tongkat hukuman. Bagaimanakah raja Kaliṅga, bersama pasukannya, bertempur melawannya dalam pertempuran itu?”

चरन्तम्moving about, roaming
चरन्तम्:
Karma
TypeAdjective
Rootचर्
FormMasculine, Accusative, Singular, शतृ (present active participle)
गदयाwith a mace
गदया:
Karana
TypeNoun
Rootगदा
FormFeminine, Instrumental, Singular
वीरम्the hero
वीरम्:
Karma
TypeNoun
Rootवीर
FormMasculine, Accusative, Singular
दण्डहस्तम्having a staff in hand
दण्डहस्तम्:
Karma
TypeAdjective
Rootदण्डहस्त
FormMasculine, Accusative, Singular
इवlike, as
इव:
TypeIndeclinable
Rootइव
अन्तकम्Yama, the Ender (death)
अन्तकम्:
TypeNoun
Rootअन्तक
FormMasculine, Accusative, Singular
योधयामासmade (him) fight; fought (against)
योधयामास:
TypeVerb
Rootयुध्
Formलिट् (perfect), Third, Singular, Parasmaipada, Causative (णिच्)
समरेin battle
समरे:
Adhikarana
TypeNoun
Rootसमर
FormMasculine, Locative, Singular
कालिङ्गःthe Kalinga (king/warrior of Kalinga)
कालिङ्गः:
Karta
TypeNoun
Rootकालिङ्ग
FormMasculine, Nominative, Singular
सहtogether with
सह:
TypeIndeclinable
Rootसह
सेनयाwith (his) army
सेनया:
Karana
TypeNoun
Rootसेना
FormFeminine, Instrumental, Singular

ध्ृतराष्र उवाच

D
Dhṛtarāṣṭra
B
Bhīmasena
K
Kaliṅga (king of Kaliṅga)
A
Antaka (Death/Yama)
D
daṇḍa (staff of punishment)
G
gadā (mace)
S
senā (army)
S
samara (battlefield)

Educational Q&A

The verse underscores the awe-inspiring force of righteous martial power: Bhīma’s presence is likened to Yama, suggesting that in war the consequences of adharma and the inevitability of death become immediate. It also reflects the epic’s ethical tension—valor and duty (kṣatriya-dharma) operate within a field of grave moral stakes.

Dhṛtarāṣṭra asks Sañjaya to describe how the Kaliṅga king, supported by his army, fought against Bhīmasena, who is depicted as roaming the battlefield with a mace and appearing like Death personified.