Shloka 17

Abhimanyu’s Assault on Bhīṣma’s Screen; Banner-Felling and Reinforcements (सौभद्र-भीष्म-समरः)

Devanagari script

श्रद्धया परया तप्तं तपस्तत्‌ त्रिविध॑ नरैः । अफलाकाडूक्षिभियक्ति:*5 सात्त्विकं परिचक्षते,इति श्रीमहाभारते भीष्मपर्वणि श्रीमद्भगवद्गीतापर्वणि श्रीमद्भगवद्गीतासूपनिषत्सु ब्रह्म॒विद्यायां योगशास्त्रे श्रीकृष्णार्जुनसंवादे श्रद्धात्रपविभागयोगो नाम सप्तदशो<ध्याय:

Transliteration

śraddhayā parayā taptaṁ tapas tat trividhaṁ naraiḥ | aphalākāṅkṣibhir yuktaiḥ sāttvikaṁ paricakṣate ||

Translation

Tapa yang dilakukan dengan keyakinan tertinggi—dalam tiga bentuk—oleh orang-orang yang berdisiplin dan tanpa hasrat akan hasil, dinyatakan sebagai tapa sāttvika.

Word by Word

श्रद्धयाwith faith

परयाsupreme, highest

तप्तम्performed, practiced

तपःausterity, penance

तत्that

त्रिविधम्threefold

नरैःby men, by people

अफलाकाङ्क्षिभिःby those who do not desire fruit (results)

युक्तम्endowed (with), accompanied

सात्त्विकम्sattvic, of goodness

परिचक्षतेthey call, they declare

इतिthus

Speaker

अजुन उवाच

Characters & Entities

Arjuna

Verse Rasa (Emotional Essence)

Geographic Context

Sandhi Notes