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Shloka 8

Nārada’s Exempla of Tapas and Assurance to Dhṛtarāṣṭra (नारदोपदेशः—तपःसिद्ध्युदाहरणम्)

वानेयपुष्पनिकरैराज्यधूमोद्गमैरपि । ब्राह्मेण वपुषा युक्ता युक्तता मुनिगणस्य ता:

vāneyapuṣpanikarair ājyadhūmodgamair api | brāhmeṇa vapuṣā yuktā yuktatā munigaṇasya tāḥ ||

Vaiśampāyana berkata: Altar-altar yajña itu tampak berhias oleh tumpukan bunga-bunga hutan dan oleh asap yang naik dari persembahan ghee. Karena gema resitasi Weda terus-menerus memenuhi tempat itu, altar-altar itu seakan memiliki tubuh ‘brahmanik’—terbentuk dari Weda; dan perhimpunan para muni senantiasa terhubung dengannya melalui disiplin pelayanan ritual.

वानेयपुष्पनिकरैःby heaps of forest-flowers
वानेयपुष्पनिकरैः:
Karana
TypeNoun
Rootवानेय-पुष्प-निकर
FormMasculine, Instrumental, Plural
आज्यधूमोद्गमैःby the upsurges of smoke from ghee (oblations)
आज्यधूमोद्गमैः:
Karana
TypeNoun
Rootआज्य-धूम-उद्गम
FormMasculine, Instrumental, Plural
अपिalso/even
अपि:
TypeIndeclinable
Rootअपि
ब्राह्मेणwith Vedic/sacred
ब्राह्मेण:
Karana
TypeAdjective
Rootब्राह्म
FormNeuter, Instrumental, Singular
वपुषाbody/form
वपुषा:
Karana
TypeNoun
Rootवपुस्
FormNeuter, Instrumental, Singular
युक्ताःendowed/connected
युक्ताः:
Karta
TypeAdjective
Rootयुक्त
FormFeminine, Nominative, Plural
युक्तताम्connection/association
युक्तताम्:
Karma
TypeNoun
Rootयुक्तता
FormFeminine, Accusative, Singular
मुनिगणस्यof the group of sages
मुनिगणस्य:
TypeNoun
Rootमुनि-गण
FormMasculine, Genitive, Singular
ताःthose (f.)
ताः:
Karta
TypePronoun
Rootतद्
FormFeminine, Nominative, Plural

वैशम्पायन उवाच

V
Vaiśampāyana
M
muni-gaṇa (assemblies of sages)
V
vedī (sacrificial altar)
Ā
ājya (ghee oblation)
D
dhūma (smoke)
V
vāneya-puṣpa (forest flowers)
V
Veda (Vedic recitation/sound)

Educational Q&A

The passage highlights dharma as sustained practice: sacred order is maintained not by display but by disciplined ritual, purity, and continuous engagement with śruti (Vedic recitation). The ‘Veda-formed body’ imagery teaches that repeated, sincere practice makes a place—and the practitioners—permeated by brahmanic sanctity.

The narrator describes the hermitage setting: sacrificial altars are active and beautiful, decorated by forest flowers and marked by smoke from ghee offerings, while groups of sages remain seated in steady ritual attendance amid constant Vedic sound.