देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
बृहज्ज्योतिः सुधामा च महाज्योतिरनुत्तमः मातामहो मातरिश्वा नभस्वान् नागहारधृक्
bṛhajjyotiḥ sudhāmā ca mahājyotiranuttamaḥ mātāmaho mātariśvā nabhasvān nāgahāradhṛk
Dia adalah Cahaya Mahaluas, kediaman kemilau amerta; Dia Mahacahaya yang tiada banding. Dia Sang Kakek Purba, Mātariśvan (nafas-hidup di dalam semua), Nabhasvān (angin kosmis), dan Pemakai kalung ular—Śiva, Pati, pemutus ikatan pāśa yang membelenggu paśu.
Suta Goswami (narrating the Shiva Sahasranama to the sages of Naimisharanya)
It frames the Linga as Mahājyoti—Shiva as the infinite, unsurpassed Light—so Linga-puja becomes contemplation and worship of the formless Pati appearing as a luminous sign (liṅga) for the liberation of the bound soul (paśu).
Shiva is presented as anuttama Mahājyoti (supreme Light) and as the inner cosmic vitality (Mātariśvā/Nabhasvān), indicating both transcendence (beyond all) and immanence (as prāṇa and cosmic movement), consistent with Pati as the ground of all powers.
A jyoti-dhyāna orientation is implied: meditate on Shiva as the Vast Light and as the inner prāṇa (Mātariśvā), integrating Linga-puja with Pashupata-style inward worship where bondage (pāśa) is weakened through focused remembrance and breath-awareness.