Shloka 58

Adhyaya 71: पुरत्रयवृत्तान्तः—ब्रह्मवरदानम्, मयकृतत्रिपुर-निर्माणम्, विष्णुमाया-धर्मविघ्नः, शिवस्तुति, त्रिपुरदाहोपक्रमः

Devanagari script

शूलशक्तिगदाहस्तान् टङ्कोपलशिलायुधान् नानाप्रहरणोपेतान् नानावेषधरांस्तदा

Transliteration

śūlaśaktigadāhastān ṭaṅkopalaśilāyudhān nānāpraharaṇopetān nānāveṣadharāṃstadā

Translation

Saat itu tampak para gana-bhūta yang garang, memegang trisula, śakti (tombak), dan gada; bersenjata kapak-pahat, batu, serta peluru batu; lengkap dengan beragam senjata dan mengenakan berbagai rupa, bergerak menurut titah Sang Pati.

Word by Word

• शूल (śūla): trident

• शक्ति (śakti): spear/lance

• गदा (gadā): mace

• हस्तान् (hastān): having in their hands/bearing

• टङ्क (ṭaṅka): pickaxe/iron pick

• उपल (upala): stone

• शिला (śilā): rock/slab

• आयुधान् (āyudhān): weapons

• नाना (nānā): various/many

• प्रहरण (praharaṇa): weapon/means of striking

• उपेतान् (upetān): endowed with/equipped with

• वेष (veṣa): guise/attire

• धरान् (dharān): wearing/bearing

• तदा (tadā): then/at that time

Speaker

Suta Goswami (narrating to the sages at Naimisharanya; contextual)

Characters & Entities

• Shiva
• Shiva’s Ganas

FAQs

What is the importance of this verse in the context of Linga worship?

It highlights Shiva’s protective and corrective power: the Lord (Pati) is served by ganas who remove obstacles to dharma, implying that Linga-puja is not merely devotional but also invokes divine protection and order.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Shiva-tattva is shown as sovereign Pati whose will is executed through manifold energies and forms; the varied weapons and guises symbolize his capacity to bind or release the pashu from pasha according to karma and grace.

What ritualistic or Yogic practice is highlighted here?

Indirectly it points to Pashupata discipline: the aspirant aligns with Rudra’s command through vrata, mantra, and inner austerity, seeking the Lord’s protection while cutting bonds (pasha) like a divine weapon.