वासिष्ठकथनम् (आदित्य–सोमवंशवर्णनम् तथा रुद्रसहस्रनाम-प्रशंसा)
मुण्डो विरूपो विकृतो दण्डी कुण्डी विकुर्वणः वार्यक्षः ककुभो वज्री दीप्ततेजाः सहस्रपात्
muṇḍo virūpo vikṛto daṇḍī kuṇḍī vikurvaṇaḥ vāryakṣaḥ kakubho vajrī dīptatejāḥ sahasrapāt
Ia Yang Berkepala Gundul, berwujud beraneka dan berubah-ubah; pemegang tongkat, pemilik mangkuk, yang bebas mengambil rupa-rupa penampakan. Pandangannya sejuk laksana air; penopang penjuru, pemegang vajra; cahayanya menyala, dan Ia Yang Seribu Kaki.
Suta Goswami (narrating a Shiva-Sahasranama within the Linga Purana discourse)
This verse functions as a segment of Shiva-Sahasranama used in Linga-puja: by reciting these names, the devotee contemplates Shiva as Pati—ascetic, sovereign, and all-pervading—thereby loosening pasha (bondage) that binds the pashu (soul).
It presents Shiva as simultaneously nirguṇa in essence yet capable of vikurvaṇa—manifesting countless forms for grace; his blazing tejas and “thousand-footed” all-pervasion indicate lordship that transcends limited embodiment while sustaining all directions and worlds.
Nama-japa within Linga-puja is implied: disciplined ascetic symbolism (daṇḍī, kuṇḍī) aligns with Pashupata-oriented practice where remembrance of Shiva’s names purifies cognition and supports inner restraint (yama/niyama) leading toward liberation.