Navavyūha-pūjāvidhi: Bhūta-śuddhi, Nyāsa, Yogapīṭha, Maṇḍala-racanā, Mudrā-prayoga
षडङ्गेन ततः कुर्यात्साक्षाद्येन हरिर्भवेत् / दक्षिणाङ्गुष्ठमारभ्य मध्याङ्गुष्ठन्दले न्यसेत्
ṣaḍaṅgena tataḥ kuryātsākṣādyena harirbhavet / dakṣiṇāṅguṣṭhamārabhya madhyāṅguṣṭhandale nyaset
Lalu lakukan nyāsa enam anggota (ṣaḍaṅga), yang dengannya Hari menjadi nyata hadir. Mulailah dari ibu jari kanan dan tempatkan pada maṇḍala ibu jari tengah.
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Ṣaḍaṅga-nyāsa as a means for sākṣāt-bhāva—cultivating immediacy of Hari’s presence through embodied mantra.
Vedantic Theme: Saguṇa-upāsanā as a practical doorway to inner clarity; īśvara-pratyakṣatā as experiential fruit of disciplined attention.
Application: Execute ṣaḍaṅga-nyāsa beginning from the right thumb; place mantra-energy in the specified thumb-maṇḍala points with unwavering concentration.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: maṇḍala on the hand (thumb-circles) within the ritual space
Related Themes: Garuda Purana 1.11.5 (mantra-nyāsa preliminaries); Garuda Purana 1.11.7 (aṅga-vinyāsa expansion)
This verse presents ṣaḍaṅga-nyāsa as a practical method of consecration by which Hari is made ‘directly present’—i.e., the practitioner ritually installs the deity/mantra-power into specific bodily points to prepare for worship.
It does not describe the soul’s post-death journey here; instead, it gives a ritual technology (nyāsa) used in devotional and protective practices, emphasizing embodied discipline as part of dharmic preparation.
Approach mantra and worship with correct method and reverence: use structured, step-by-step practice (under guidance) rather than casual recitation, treating ritual as a means to focus mind and devotion on Hari.