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Agni Purana — Agneya-vidya, Shloka 3

Explanation of the Characteristics of Mudrās (मुद्रालक्षणकथनं)

तिस्रः साधरणा व्यूहे अथासाधरणा इमाः कनिष्ठादिविमोकेन अष्टो मुद्रा यथाक्रमं

tisraḥ sādharaṇā vyūhe athāsādharaṇā imāḥ kaniṣṭhādivimokena aṣṭo mudrā yathākramaṃ

Dalam vyūha (susunan ritual) terdapat tiga mudrā yang umum; kini diajarkan mudrā yang tidak umum ini. Dengan membuka/melepaskan jari secara berurutan mulai dari kelingking, terbentuk delapan mudrā menurut urutannya.

tisraḥthree
tisraḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottri (प्रातिपदिक; संख्या)
Formसंख्यावाचक-विशेषण, स्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; mudrāḥ (अध्याहृत) इत्यस्य विशेषण
sādharaṇāḥcommon/general
sādharaṇāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsādharaṇa (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; mudrāḥ (अध्याहृत) इत्यस्य विशेषण
vyūhein the formation/array
vyūhe:
Adhikarana (अधिकरण)
TypeNoun
Rootvyūha (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन
athathen/now
atha:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootatha (अव्यय)
Formअव्यय (discourse particle; 'now/then')
asādharaṇāḥuncommon/special
asādharaṇāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootasādharaṇa (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; imāḥ इत्यस्य विशेषण
imāḥthese
imāḥ:
Karta/Pratijñā (प्रथमा/उद्देश्य)
TypeNoun
Rootidam (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, स्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन
kaniṣṭhā-ādi-vimokenaby the releasing of the little finger etc.
kaniṣṭhā-ādi-vimokena:
Karana (करण)
TypeNoun
Rootkaniṣṭhādivimoka (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (करण), एकवचन; तत्पुरुष-समास (kaniṣṭhā + ādi + vimoka)
aṣṭaueight
aṣṭau:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootaṣṭan (प्रातिपदिक; संख्या)
Formसंख्यावाचक-विशेषण, स्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; mudrāḥ इत्यस्य विशेषण
mudrāḥmudrās (gestures)
mudrāḥ:
Karta/Pratijñā (प्रथमा/उद्देश्य)
TypeNoun
Rootmudrā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन
yathā-kramamin due order
yathā-kramam:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootyathākrama (प्रातिपदिक)
Formअव्ययीभाव-समास (yathā + krama), अव्यय (adverb)

Lord Agni (in instruction to sage Vasiṣṭha, typical Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Classification and sequencing of mudrās within a ritual ‘vyūha’ (arrangement): distinguishes common vs uncommon mudrās and gives a procedural rule—eight mudrās executed by successive unfolding starting from the little finger—useful for standardized pūjā/nyāsa choreography.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Mudrā taxonomy in ritual vyūha: three sādhāraṇa and eight asādhāraṇa by kanīṣṭhā-vimoka","lookup_keywords":["vyūha","sādhāraṇa-mudrā","asādhāraṇa-mudrā","kanīṣṭhā-vimoka","aṣṭa-mudrā"],"quick_summary":"Mudrās are organized for ritual deployment: three are common, and eight uncommon are performed in order by progressively releasing the fingers beginning with the little finger. This provides a repeatable choreography for mantra-ritual formations."}

Concept: Ritual knowledge is modular and classifiable; efficacy depends on correct taxonomy (common/uncommon) and correct sequence (krama) of enactment.

Application: When teaching or performing pūjā, standardize mudrā practice by grouping gestures and drilling the finger-release sequence to avoid procedural errors.

Khanda Section: Puja-vidhi (Tantric/Mantric Mudra-Vidya in ritual formations/nyasa)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A teacher demonstrates a sequence of eight mudrās by progressively releasing fingers starting from the little finger; a schematic ‘vyūha’ layout is shown on the floor or palm-leaf diagram, indicating common vs uncommon sets.","kerala_mural_prompt":"Kerala mural, instructional tableau: guru and disciple, enlarged hands showing finger-release sequence from little finger, a simple mandala/vyūha diagram beside them, bold outlines and flat temple-mural palette","tanjore_prompt":"Tanjore painting, ornate but didactic: eight small panels around the border each showing a mudrā step, central guru figure, gold foil highlights on hand positions, rich decorative framing","mysore_prompt":"Mysore painting, clear stepwise chart: numbered hand gestures from kanīṣṭhā release onward, minimal background, fine lines and soft colors, emphasis on order (yathākramam)","mughal_miniature_prompt":"Mughal miniature, manuscript page with sequential vignettes of hands, teacher pointing to a vyūha diagram, delicate detailing and balanced negative space for the ‘list’ nature of the verse"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: Sandhi: athāsādharaṇā → atha asādharaṇāḥ; kaniṣṭhādivimokena = kaniṣṭhā + ādi + vimokena; yathākramaṃ = yathā + kramam (avyayībhāva).

Related Themes: Agni Purana 26 (continued enumeration of the eight mudrās and their individual lakṣaṇas); Agni Purana 25 (use of ‘vyūha’ concept in ritual/martial-adjacent contexts)

A
Agni
M
Mudrā
V
Vyūha

FAQs

It classifies mudrās used in ritual “vyūha” (arranged sequence/formation), distinguishing common and special mudrās, and specifies an eight-fold series performed by sequentially releasing the fingers beginning with the little finger.

Beyond mythology, it preserves procedural liturgy—precise hand-gesture taxonomies and performance cues—showing the Agni Purāṇa’s coverage of practical ritual technology (mudrā, nyāsa, and pūjā-krama) alongside broader dharma and śāstra topics.

Correct mudrā-krama is treated as a “seal” that stabilizes mantra and intention in worship; performing the gestures in proper order is understood to enhance ritual efficacy, purity, and the intended devotional/propitiatory result.