आदीप्तमिव तत् सैन्यं शरैश्छिन्नतनुच्छदम् । आसीत् सुशोणितक्लिन्नं फुल्लाशोकवनं यथा
ādīptam iva tat sainyaṃ śaraiś chinna-tanu-cchadam | āsīt suśoṇita-klinnaṃ phullāśoka-vanaṃ yathā ||
उस समय सारी सेना जलती हुई-सी दिखायी देती थी। बाणों से उसके कवच छिन्न-भिन्न हो गये थे तथा वह खून से लथपथ हो खिले हुए अशोकवन के समान प्रतीत होती थी।
संजय उवाच
The verse offers no direct injunction but conveys an ethical reflection through imagery: war’s splendor is illusory—what seems ‘ablaze’ is actually a host torn by weapons and soaked in blood. The poetic comparison to a blossoming aśoka grove heightens the contrast between natural beauty and human-made devastation, prompting discernment about the true cost of violence.
Sañjaya reports to Dhṛtarāṣṭra the appearance of the battlefield: the army looks as if it is burning; arrows have shredded its protective coverings (armor), and the troops are drenched in blood, creating a vivid, almost surreal scene likened to a flowering aśoka forest.