Pañcatattva-Pūjā: The Fivefold Vyuha of Hari, Mantras, Nyāsa, Maṇḍala, and Stotra
तथा प्रद्युम्नरूपेणानिरुद्धाख्येन च स्थितः / नारायणस्वरूपेण पञ्चधा ह्यद्वयः स्थितः
tathā pradyumnarūpeṇāniruddhākhyena ca sthitaḥ / nārāyaṇasvarūpeṇa pañcadhā hyadvayaḥ sthitaḥ
उसी प्रकार वे प्रद्युम्न-रूप में और अनिरुद्ध नामक रूप में स्थित हैं; तथा नारायण-स्वरूप में—इस प्रकार अद्वय परमेश्वर पंचधा प्रतिष्ठित हैं।
Lord Vishnu (Nārāyaṇa) speaking to Garuḍa (Vinātā-putra)
Concept: Pradyumna, Aniruddha, and Nārāyaṇa complete the fivefold manifestation; yet the Lord remains non-dual (advaya).
Vedantic Theme: Unity-in-manifestation: non-duality maintained amid functional plurality; nāma-rūpa as expressions of the One.
Application: Use the five names/forms as supports for japa, arcana, and contemplation, while remembering their single non-dual source.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.32.2 (pañcatattvārchana announced); Garuda Purana 1.32.4-5 (Vasudeva/Sankarshana; fivefold within Maya)
This verse teaches that the Supreme remains one (advaya) yet is spoken of as manifesting in five recognized divine modes/forms, aiding devotion and contemplation without implying division in the Absolute.
Even while naming distinct forms such as Pradyumna, Aniruddha, and Nārāyaṇa, the text insists the reality behind them is a single, undivided Supreme.
It supports focused worship (choosing a form/name for devotion) while maintaining the understanding that all authentic divine forms point to one Supreme reality—encouraging unity and steadiness in practice.