बलरामस्य वारुणी-प्रसङ्गः, यमुनाकर्षणम्, लक्ष्मी-प्रदत्त-विभूषणम्, रेवती-विवाहः
इत्य् उक्ता वारुणी तेन संनिधानम् अथाकरोत् वृन्दावनवनोत्पन्नकदम्बतरुकोटरे
ity uktā vāruṇī tena saṃnidhānam athākarot vṛndāvanavanotpannakadambatarukoṭare
એમ કહ્યા પછી વારુણીએ પોતાનું સાન્નિધ્ય પ્રગટ કર્યું અને વૃંદાવનના વનમાં ઉગેલા કદંબ વૃક્ષના ખોખામાં સ્થાન લીધું।
Sage Parāśara (narrating to Maitreya)
Concept: The divine can become present (saṃnidhāna) in particular places, turning ordinary nature into a locus of sacred encounter.
Vedantic Theme: Dharma
Application: Cultivate ‘tīrtha-bhāva’ by approaching natural spaces with mindfulness, prayer, and purity of intent.
Vishishtadvaita: Sacred presence is real and localized without limiting the Lord’s all-pervasiveness—immanence with transcendence.
It marks a deliberate manifestation—Vāruṇī is not merely a substance but a personified potency that can be summoned and made to abide at a specific sacred locus within Vṛndāvana.
By locating the event in a particular natural feature (the hollow of a kadamba tree), the narration treats Vṛndāvana as a charged sacred geography where presences can ‘take station’ and become part of the līlā setting.
In Ansha 5, the narrative assumes Vishnu’s supreme sovereignty through Krishna-līlā: beings and powers manifest and move within an order ultimately governed by the Supreme Reality (Vishnu) expressed through Krishna’s divine play.