Mahāyoga: Detachment from ‘I/Mine’, Aṣṭāṅga Practice, Oṁkāra and Aham-Brahmāsmi Contemplation
निर्गुणा योगिगम्याद्यार्धमात्रा परा स्थिता / गान्धारीति च विज्ञेया गान्धारस्वरसंश्रया / इत्येतदक्षरं ब्रह्म परमोङ्कारसंज्ञितम्
nirguṇā yogigamyādyārdhamātrā parā sthitā / gāndhārīti ca vijñeyā gāndhārasvarasaṃśrayā / ityetadakṣaraṃ brahma paramoṅkārasaṃjñitam
તે પરમ તત્ત્વ નિર્ગુણ છે, માત્ર યોગીઓને ગમ્ય છે અને આદ્ય અર્ધમાત્રા રૂપે સ્થિત છે. તે ગાન્ધાર સ્વર પર આશ્રિત હોવાથી ‘ગાન્ધારી’ તરીકે જાણવી. આ જ અક્ષર-બ્રહ્મ છે, જે પરમ ઓંકાર નામે પ્રસિદ્ધ છે.
Lord Vishnu (in dialogue with Garuda/Vainateya)
Concept: The supreme reality is nirguṇa, yogi-accessible, abiding as the primordial half-mātrā beyond A-U-M; identified with Gāndhārī, resting on the Gāndhāra swara; this is Akṣara Brahman, Paramoṅkāra.
Vedantic Theme: Turiya/ardha-mātrā as transcendence of waking-dream-sleep and guṇas; nāda as upāya leading to nirvikalpa awareness.
Application: After completing A-U-M japa, rest in the ‘after-sound’ silence (ardha-mātrā): attend to subtle inner resonance (nāda) without grasping; let attention dissolve into quiet witnessing.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: sonic-metaphysical locus (ardha-mātrā; nāda)
Related Themes: Garuda Purana 1.226.23-24 (Oṃ-japa; A-U-M; guṇas)
This verse identifies Om as the imperishable Brahman-syllable—transcendent, nirguṇa, and directly realizable through yogic insight—making it a central support for contemplation of the Absolute.
It frames realization as yogi-accessible knowledge: by focusing on the subtle ‘ardhamātrā’ aspect of Om and its refined sound-principle, one approaches the nirguṇa, supreme reality.
Use Om-japa or silent contemplation, emphasizing the subtle “after-sound” (ardhamātrā) beyond A-U-M, as a daily practice to cultivate steadiness, inwardness, and discernment of the transcendent.