Vishnu Enters the Deva–Asura War and Slays Kalanemi
तमागतं सहस्राक्षस्त्रैलोक्यपतिमव्ययम् ववन्द मूर्ध्नावनतः सह सर्वैः सुरोत्तमैः
tamāgataṃ sahasrākṣastrailokyapatimavyayam vavanda mūrdhnāvanataḥ saha sarvaiḥ surottamaiḥ
When he had arrived, Sahasrākṣa (Indra), bowing his head, paid homage to that imperishable Lord of the three worlds, together with all the foremost gods.
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Purāṇic theology distinguishes administrative sovereignty (Indra’s rulership of Svarga) from ultimate sovereignty (Viṣṇu as trailokya-pati). Indra’s bowing signals that even the deva-king depends on the imperishable supreme principle.
‘Avyaya’ emphasizes transcendence over time and decay—contrasting the changing offices of devas (including Indra-hood across cycles) with the unchanging nature of the supreme Lord.
It is a narrative depiction of vandana (salutation). A full stuti would typically expand into multiple descriptive epithets and praises; here the reverence is conveyed through action and key titles.