HomeVamana PuranaAdh. 68Shloka 47
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Vamana Purana — Prahlada's Instructions to Bali, Shloka 47

Prahlada’s Instructions to Bali on Vishnu Worship, Monthly Gifts, and Building Hari’s Temple

नानावर्णा वैजयन्त्यो महारजनरञ्जिताः मञ्जिष्ठा नवरङ्गीयाः श्वेतपाटलिकाश्रिताः

nānāvarṇā vaijayantyo mahārajanarañjitāḥ mañjiṣṭhā navaraṅgīyāḥ śvetapāṭalikāśritāḥ

There were many-colored vaijayantī garlands—deeply dyed with great (strong) pigments—tinted with madder (mañjiṣṭhā), newly multihued, and adorned with white pāṭalikā flowers.

Narrator describing the worship materials/ornaments used in Bali’s devotion
Vishnu (Keśava/Vāsudeva)
Icon ornamentation (mālā, puṣpa-upacāra)Auspicious aesthetics in worshipUse of natural dyes and flowers in ritual cultureViṣṇu iconography (vaijayantī garland motif)

{ "primaryRasa": "shringara", "secondaryRasa": "bhakti", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Both senses resonate. In iconography, Vaijayantī is Viṣṇu’s distinctive garland; in ritual description, “vaijayantyaḥ” can also denote splendid garlands offered to the deity. The verse’s focus on dyes and flowers suggests actual garlands prepared for temple worship while invoking Viṣṇu’s emblematic ornament.

Purāṇic worship is materially specific: color, fragrance, and freshness are part of honoring the deity. Mentioning mañjiṣṭhā and strong pigments documents the traditional craft of preparing vivid ritual garlands and decorations, emphasizing abundance and care.

White flowers commonly signify purity and auspiciousness in pūjā. The pairing of intense dyes with white pāṭalikā suggests a deliberate aesthetic contrast—rich color balanced by purity—befitting formal temple ornamentation.