HomeVamana PuranaAdh. 44Shloka 85
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Vamana Purana — Andhaka's Defeat & Redemption, Shloka 85

Andhaka’s Defeat, the Bhairava Manifestation, and His Redemption as Bhṛṅgī Gaṇapati

ददृशे च गिरेः पुत्रीं श्वेतार्ककुसुमस्थिताम् समायातं निरीक्ष्यैव सर्वलक्षणसंयुतम्

dadṛśe ca gireḥ putrīṃ śvetārkakusumasthitām samāyātaṃ nirīkṣyaiva sarvalakṣaṇasaṃyutam

tāmasasya: of Tāmasa (the Manu Tāmasa). antare: in the period/interval (Manvantara). ye ca: and those who. marutaḥ: Maruts. api: also/indeed. abhavan: existed, came to be. purā: formerly, of old. tān: them. aham: I. kīrtayiṣyāmi: I will proclaim/recite. gīta: song. nṛtya: dance. kali: play, sport, amusement (here not the yuga, but ‘sportive play’). priya: dear/fond of.

Narratorial voice; the verse reports perception/encounter rather than direct dialogue.
Parvati (Girija)Shiva (implied by marital/retinue context)
Appearance of the Goddess (Girijā)Auspicious marks (lakṣaṇa)Sacred flora in Śaiva settingsNarrative transition to an encounter

{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

‘Gireḥ putrī’ is a standard epithet for Pārvatī (also called Girijā), emphasizing her Himalayan/mountain lineage and her role as Śiva’s śakti in Śaiva narratives.

Arka (Calotropis) is a ritually significant plant in many Hindu traditions, frequently associated with offerings and liminal, ascetic, or Śaiva contexts. Mentioning śvetārka flowers helps sacralize the scene and locate it in a recognizable ritual-botanical landscape.

It indicates an idealized, auspicious completeness—either of the arriving figure’s divine/heroic qualities or of their visible marks. In Purāṇic narrative, such phrasing signals that the arrival is significant and divinely sanctioned.