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Shiva Purana — Vayaviya Samhita, Shloka 50

शिवतत्त्वे परापरभावविचारः

Inquiry into Śiva’s Principle and the Parā–Aparā Paradox

अलोकविदितैस्तैस्तैर्वृत्तैरानन्दसुन्दरैः । अंगहारस्वसेनेदमसकृच्चालितं जगत्

alokaviditaistaistairvṛttairānandasundaraiḥ | aṃgahārasvasenedamasakṛccālitaṃ jagat

Par ces nombreux mouvements exquis—ignorés des mondes ordinaires et pourtant beaux de béatitude—cet univers fut maintes fois mis en branle par la propre troupe du Seigneur, les aṅgahāras de Sa danse cosmique.

a-loka-viditaiḥby (acts) unknown to the world
a-loka-viditaiḥ:
Karaṇa (करण)
TypeAdjective
Roota + loka + vidita (कृदन्त; √vid विद् + क्त)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; तत्पुरुष (लोके विदितः; न-प्रत्ययेन निषेध)
taiḥby those
taiḥ:
Karaṇa (करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; सर्वनाम
taiḥby those (very)
taiḥ:
Karaṇa (करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; पुनरुक्ति (emphatic repetition)
vṛttaiḥby deeds/acts
vṛttaiḥ:
Karaṇa (करण)
TypeNoun
Rootvṛtta (प्रातिपदिक/कृदन्त; √vṛt वृत् + क्त)
Formनपुंसकलिङ्ग/पुंलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन
ānanda-sundaraiḥby (acts) delightful and beautiful
ānanda-sundaraiḥ:
Karaṇa (करण)
TypeAdjective
Rootānanda + sundara (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; कर्मधारय (आनन्दं सुन्दरं येषु/आनन्दसुन्दराः)
aṃga-hāra-sva-senāby the troupe/army of dance-gestures
aṃga-hāra-sva-senā:
Karaṇa (करण)
TypeNoun
Rootaṃga + hāra + sva + senā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; तत्पुरुष-समास (अङ्गहारस्य स्वा सेना)
idamthis
idam:
Karta (कर्ता)
TypeNoun
Rootidam (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; सर्वनाम
asakṛtrepeatedly
asakṛt:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootasakṛt (अव्यय)
Formअव्यय; आवृत्तिवाचक (adverb of repetition)
cālitaṃwas shaken/moved
cālitaṃ:
Kriyā (क्रिया; कर्मणि)
TypeVerb
Rootcālita (कृदन्त; √cal चल् + णिच् causative + क्त)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; भूतकृदन्त (PPP)
jagatthe world
jagat:
Karta (कर्ता)
TypeNoun
Rootjagat (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन

Suta Goswami (narrating the Vāyavīya discourse to the sages of Naimiṣāraṇya)

Tattva Level: pati

Shiva Form: Naṭarāja

Jyotirlinga: Rāmeśvara

Sthala Purana: Rāmeśvara is famed for liṅga-pratiṣṭhā and oceanic crossings; while this verse is about cosmic dance, South Indian Śaiva reception often pairs Naṭarāja’s tāṇḍava with coastal/liminal sacred geographies where the ‘moving universe’ theme is ritually enacted through utsava and nāṭya.

Significance: Pilgrims seek purification through tīrtha-snānams and Śiva-darśana; the cosmic-dance theology supports the idea that all motion and order are Śiva’s līlā, leading to inner stillness (śānta) through devotion.

Type: stotra

Shakti Form: Pārvatī

Role: creative

Offering: pushpa

Cosmic Event: Cosmic motion as līlā: universe ‘repeatedly set into motion’ by aṅgahāras (dance-sequences)

S
Shiva

FAQs

It presents Shiva as Pati—the supreme conscious Lord—whose blissful, transcendent power (expressed as divine dance-movements) activates and regulates the cosmos; the jagat moves because His śakti moves it.

The aṅgahāras describe Saguna Shiva’s manifest, knowable expression—His cosmic activity—while Linga-worship points to the same Lord as the timeless source (nirguṇa in essence, saguna in function) who causes the universe to arise, endure, and dissolve.

Contemplate Shiva as Naṭarāja in dhyāna while repeating the Panchākṣarī (Om Namaḥ Śivāya), aligning breath and attention with the sense that all movement and life are upheld by Shiva’s blissful power.