संहाररूप-प्रादुर्भावः
Manifestation of Śiva’s Saṃhāra-Form
अथ विभ्रम्य पक्षाभ्यां नाभिपादान्विदारयन् । पादान्बबंध पुच्छेन बाहुभ्याम्बाहु मण्डलम्
atha vibhramya pakṣābhyāṃ nābhipādānvidārayan | pādānbabaṃdha pucchena bāhubhyāmbāhu maṇḍalam
Alors, tournoyant de ses deux ailes, il déchira la région allant du nombril jusqu’aux pieds. De sa queue il lia les pieds, et de ses bras il saisit et resserra le cercle des bras de l’adversaire.
Suta Goswami
Tattva Level: pati
Shiva Form: Śarabheśvara
Role: destructive
It portrays overwhelming power in a divine contest, reminding the devotee that all limited strength is subdued before the Lord’s supreme Shakti; in Shaiva Siddhanta, the bound soul (paśu) is ultimately mastered and liberated only by Pati (Shiva).
The verse uses vivid, saguna (form-based) action to convey Shiva’s supremacy in manifest play; such narratives support devotion to Saguna Shiva, which culminates in steady worship of the Linga as the accessible sign of the transcendent Lord.
A practical takeaway is to cultivate inner steadiness through japa of the Panchakshara—“Om Namaḥ Śivāya”—and disciplined worship (abhisheka, bhasma/tripuṇḍra, rudrākṣa), transforming agitation into devotion and surrender.