प्रणवमहिमा — The Greatness of the Praṇava (Om) as Śiva
नादे पंच समाख्याताः कला ईशानसंभवाः । षड्विधैक्यानुसंधानात्प्रपंचात्मकतोच्यते
nāde paṃca samākhyātāḥ kalā īśānasaṃbhavāḥ | ṣaḍvidhaikyānusaṃdhānātprapaṃcātmakatocyate
Dans le Nāda sont proclamées les cinq Kalā, nées d’Īśāna (Śiva). Et parce que, par la contemplation de l’unité en six modes, il devient le fondement de la diversité manifestée, on dit qu’il possède la nature du prapañca, l’univers déployé.
Lord Shiva (Īśāna), teaching in the Kailāsa Saṃhitā context
Tattva Level: pati
Shiva Form: Īśāna
Type: panchakshara
Role: creative
Cosmic Event: Cosmogony through nāda: five kalās arise from Īśāna; ‘sixfold unity’ contemplation yields prapañca-appearance (manifest diversity).
It teaches that Nāda—Śiva’s subtle vibration—contains divine powers (kalās) and, when understood through unity-consciousness, reveals how the many arise from the One, guiding the seeker from multiplicity to Śiva-realization.
In Shaiva tradition, the Liṅga is a saguna support for the nirguna reality; Nāda and Kalā describe the inner, subtle process by which Śiva’s power appears as forms—so worship moves from form (Liṅga) to the recognition of Śiva as the source of all manifestation.
Nāda-anusandhāna (meditation on inner sound) and contemplation of oneness (aikya) are implied—practices aligned with japa of Śiva-mantra and inward absorption, leading the mind from prapañca to Śiva.