Soma Pavamāna’s self-purification and forward rush through the woollen filter, becoming an effective oblation that draws Indra and grants ‘svar’ (heaven/light).
पवस्व देववीतय इन्दो धाराभिरोजसा आ कलशं मधुमान्त्सोम नः सदः
pavasva devavītaya indo dhārābhirojasā ā kalaśaṃ madhumāntsoma naḥ sadaḥ
pávasva1 deva-vī́taye2 índo3 dhā́rābhir1 ójasā2 ā́3 kaláśaṃ1 mádhu-mān2 sóma3 naḥ1 sádaḥ2
Purifie-toi, ô Indu, pour l’acheminement des dieux; par des courants vigoureux, pleins de force, coule dans le vase — ô Soma miellé — dans notre Sadas.
pavasva | deva-vītaye | indo | dhārābhiḥ | ojasā | ā | kalaśam | madhu-mān | soma | naḥ | sadaḥ
Pavamana-sāman (generic; specific tune not supplied in input)
{ "prastava": "(typical) o vā / hā-yi (stobha-led prelude; exact stobha depends on the specific gāna)", "udgitha": "pavasva devavītaya indo dhārābhirojasā", "pratihara": "ā kalaśaṃ madhumāntsoma", "upadrava": "naḥ", "nidhana": "sadaḥ", "structure_notes": "Kauthuma performance often redistributes words so the ‘destination’ (kalaśa/sadaḥ) receives cadential weight; stobhas frame entry/exit without altering padapāṭha meaning.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; all: nidhana." }
{ "gloss_summary": "‘devavītaye’ = devānām āhvānāya/āgamanāya; Soma purifies to bring gods. ‘kalaśa’ is the ritual receptacle; ‘sadaḥ’ is the named hall where pressing and stotra occur.", "ritual_interpretation": "The mantra accompanies Soma’s purification/collection into the kalaśa and sacralizes the sadas as the locus of chant and offering.", "theological_insight": "Soma is both substance and divine agency: by becoming pure he becomes the means by which devas are drawn to the rite.", "etymology_highlights": "indu as ‘drop/luminous’; pavamāna from √pū ‘to purify/cleanse’ (flowing purifier)." }