Aindra praise of Indra as the Soma-empowered remover of obstruction and giver of victory and welfare
अपूर्व्या पुरुतमान्यस्मै महे वीराय तवसे तुराय विरप्शिने वज्रिणे शन्तमानि वचांस्यास्मै स्थविराय तक्षुः
apūrvyā purutamānyasmai mahe vīrāya tavase turāya virapśine vajriṇe śantamāni vacāṃsyāsmai sthavirāya takṣuḥ
apūrvyāḥ1 purutamāny2 asmai1 mahe2 vīrāya1 tavase2 turāya1 virapśine2 vajriṇe1 śantamāni2 vacāṃsy1 asmai2 sthavirāya1 takṣuḥ2
Inouïes, très abondantes, les (chantres) ont façonné pour lui — pour le grand héros, le puissant, l’impétueux, l’aux vastes élans, le porteur du foudre — les paroles les plus propices ; pour le ferme, ils ont tissé les hymnes.
apūrvyāḥ | puru-tamāni | asmai | mahe | vīrāya | tavase | turāya | vi-rapśine | vajriṇe | śantamāni | vacāṃsi | asmai | sthavirāya | takṣuḥ
Aindra (standard grāma-gāna; specific tune not stated in input)
{ "prastava": "(stobha prelude; often ‘ho-i’/‘hā-u’ patterns in Aindra settings; exact form not provided)", "udgitha": "apūrvyā purutamāny asmai mahe vīrāya ... vajriṇe", "pratihara": "śantamāni vacāṃsy asmai", "upadrava": "sthavirāya takṣuḥ", "nidhana": "(final prolongation on takṣuḥ / -kṣuḥ as cadence, per gāna practice)", "structure_notes": "Aindra sāmans commonly place the string of epithets in the udgītha for heroic build; the ‘śantamāni’ line functions as pacifying turn before the closing craft-verb.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; Nidhana: ensemble unison." }
{ "gloss_summary": "Sāyaṇa glosses takṣuḥ as ‘they composed/constructed stotras’; vacāṃsi as mantra-utterances; śantamāni as peace-giving auspicious words; vajrī as Indra the destroyer of enemies; apūrvyāḥ as previously unsaid forms.", "ritual_interpretation": "The verse legitimizes stotra-making as a sacrificial act: well-crafted praise is itself an offering that steadies the rite.", "theological_insight": "Divine power is approached through ‘śabda-kṛti’—the intentional crafting of speech that becomes a vehicle of śānti and victory.", "etymology_highlights": "takṣ- ‘to fashion/carpent’; śanta ‘pacified/auspicious’; vajra as instrument of shatru-nāśa." }