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Mantra 8

Aindra Soma-invocation: summoning Indra to the pressed Soma and affirming ṛta-guided protection that stabilizes the sacrifice

Rishi: Unspecified in input (requires concordance)
Devata: Primarily the hymn/chant as efficacious address; deity unspecified (often linked to Sūrya/Indra depending on source)
Chandas: Unspecified in input

उदु त्ये सूनवो गिरः काष्ठा यज्ञेष्वत्नत वाश्रा अभिज्ञु यातवे

udu tye sūnavo giraḥ kāṣṭhā yajñeṣvatnata vāśrā abhijñu yātave

ud2 u1 tye2 sūnavo2 giraḥ2 kāṣṭhāḥ2 yajñeṣv2 atnata2 vāśrāḥ2 abhijñu2 yātave2

Vers le haut s’élancent ces voix, telles des fils du rite ; dans les sacrifices elles s’étendent vers les directions, retentissantes, pour atteindre (les dieux) dans leur approche.

ud-u | tye | sūnavaḥ | giraḥ | kāṣṭhāḥ | yajñeṣu | atnata | vāśrāḥ | abhijñu | yātave

उदुup, forth (exclamatory particle)
उदु:
TypeIndeclinable
Rootउद् (उपसर्ग) + उ (अव्यय/निपात) → उदु
त्येthose
त्ये:
Kartā
TypePronoun/Adjective
Rootतद् (सर्वनाम-प्रातिपदिक)
सूनवःsons
सूनवः:
Kartā
TypeNoun
Rootसूनु (प्रातिपदिक)
गिरःsongs, hymns
गिरः:
Karma
TypeNoun
Rootगिर्/गिरा (प्रातिपदिक; ‘वाक्/स्तुति’)
काष्ठाःgoal-posts, fixed points/limits
काष्ठाः:
Adhikaraṇa
TypeNoun
Rootकाष्ठा (प्रातिपदिक)
यज्ञेषुin the sacrifices
यज्ञेषु:
Adhikaraṇa
TypeNoun
Rootयज्ञ (प्रातिपदिक)
अत्नतthey went/attained
अत्नत:
TypeVerb
Rootअत् (धातु; ‘गमन/प्रापण’)
वाश्राःcrying aloud, resounding
वाश्राः:
Kartā
TypeAdjective/Noun
Rootवाश्र (प्रातिपदिक; ‘शब्दयन्तः/घोषवन्तः’)
अभिज्ञुthe knowing one, the expert
अभिज्ञु:
Kartā
TypeAdjective
Rootअभि (उपसर्ग) + ज्ञु (प्रातिपदिक/विशेषण; ‘जानन्/प्रवीण’)
यातवेfor going, to go
यातवे:
Sampradāna
TypeVerbal noun (infinitival dative)
Rootया (धातु) → यातु (कृदन्त-प्रातिपदिक; ‘गन्ता/यातृ’)

Unknown/unspecified (requires gāna assignment)

{ "prastava": "(Stobha-led prelude; commonly ‘hā’/‘ho’ patterns in Kauthuma, exact form requires assigned sāman)", "udgitha": "Main text-bearing portion on ‘ud u tye sūnavo giraḥ…’", "pratihara": "Responsive reprise stabilizing cadence on a key pada (often around kāṣṭhāḥ / yajñeṣu)", "upadrava": "After-song continuing the semantic line toward ‘abhijñu yātave’", "nidhana": "Closing cadential formula (often with prolonged final vowel), exact nidhana depends on the gāna version", "structure_notes": "Without the identified sāman, only the functional 5-part segmentation can be given; in performance, semantic ‘extension’ (atnata) is mirrored by tāna/prolongation.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; all three: nidhana (with Hotṛ-side recitation occurring separately)." }

{ "gloss_summary": "‘Sons’ are the produced stotras/voices of the yajña; they rise and spread through the directions, resounding so the deity becomes aware and comes near.", "ritual_interpretation": "The chant’s pervasion of the ritual space removes obscuration and ensures the deity’s ‘notice’ (pratīti) and arrival (āgamanam).", "theological_insight": "Vāc is not ornament but agency: properly formed praise is itself a force that links human action to divine response.", "etymology_highlights": "sūnavaḥ—yajñajāḥ stotrāḥ; atnata—vistārayanti; kāṣṭhāḥ—dikṣu; yātave—āgantum/āgamanāya." }