अरण्यकाण्डे एकोनषष्टितमः सर्गः
Maricha’s Mimic Cry and the Rama–Lakshmana–Sita Confrontation
विकृष्य चापं परिधाय सायकं सलीलबाणेन च ताडितो मया।मार्गीं तनुं त्यज्य स विक्लबस्वरो बभूव केयूरधरस्सराक्षसः।।।।
vikṛṣya cāpaṃ paridhāya sāyakaṃ salīla-bāṇena ca tāḍito mayā |
mārgīṃ tanuṃ tyajya sa viklaba-svaro babhūva keyūra-dharaḥ sa rākṣasaḥ ||
Bandant mon arc et y posant la flèche, je le frappai d’un trait aisé. Délaissant la forme du cerf, ce rākṣasa, portant un bracelet au bras, apparut en poussant un cri d’une voix tremblante et déchirée.
I did not leave her on my own nor have I come here of my own accord. I came to you,provoked by her angry words.
Dharma upholds clarity over illusion: when deceit is unmasked, righteous force may be used to neutralize harm, especially to protect the innocent.
Rama describes shooting the ‘deer’; it sheds the disguise and reveals itself as a rākṣasa, wounded and crying out.
Skill and composure in action—Rama’s controlled, precise response in defense of dharma.