Shloka 56
तारकोनाम दैत्येंद्रः सुरशत्रुरनिर्जितः । तस्या भवाय भगवान्जनयिष्यति चेश्वरः
tārakonāma daityeṃdraḥ suraśatruranirjitaḥ | tasyā bhavāya bhagavānjanayiṣyati ceśvaraḥ
Il est un seigneur des Dānavas nommé Tāraka, ennemi invaincu des dieux. Pour son bien, le Seigneur Bienheureux, Souverain suprême, fera naître un libérateur.
Unspecified in provided excerpt (context needed from surrounding verses of Sṛṣṭikhaṇḍa 43)
Concept: Even seemingly unconquerable adharma is met by Īśvara’s timely arrangement for protection.
Application: Do not despair before entrenched problems; align with dharma and trust that right means and right timing arise.
Primary Rasa: raudra
Secondary Rasa: vira
Type: celestial_realm
Visual Art Cues: {"scene_description":"A shadowy, towering Tāraka stands amid a storm of asuric banners, his aura suggesting invincibility as devas recoil in the distance. Above, a calm, unseen divine presence is implied by a shaft of light—hinting that a destined birth will arise to end the terror.","primary_figures":["Tāraka (daitya king)","devas (silhouetted)","implied Īśvara presence (symbolic light)"],"setting":"Cosmic battlefield edge or celestial horizon where heaven meets storm-clouds","lighting_mood":"dramatic chiaroscuro","color_palette":["midnight blue","smoke gray","blood red","electric violet","pale gold"],"tanjore_prompt":"Tanjore painting style: central fierce daitya-king Tāraka with ornate armor and exaggerated crown, surrounded by dark clouds; a gold-leaf divine beam descending from above as the counterforce; rich reds, greens, and embossed gold detailing, stylized weapons and banners, traditional iconographic symmetry.","pahari_prompt":"Pahari miniature style: Tāraka in a rocky landscape under swirling clouds; devas as small refined figures at the margin; a delicate pale-gold ray from the sky indicating divine plan; cool blues and grays with fine linework and lyrical atmosphere.","kerala_mural_prompt":"Kerala mural style: bold outlined Tāraka with intense eyes and patterned armor; background of stylized storm motifs; a vertical golden band of divine light; strong red/yellow/green palette with controlled ferocity.","pichwai_prompt":"Pichwai cloth painting style: symbolic composition—dark asuric lotus-pond turning turbulent, with a central ominous figure; above, a golden lotus opening to suggest the Lord’s arrangement; intricate floral borders, deep blues and gold, devotional symbolism rather than realism."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunder rumble","conch shell","mridanga strokes","wind through banners"]}
Sandhi Resolution Notes: tārakaḥ+nāma → tārakonāma; daitya+indraḥ → daityendraḥ; sura+śatruḥ → suraśatruḥ; bhagavān+janayiṣyati → bhagavānjanayiṣyati; ca+īśvaraḥ → ceśvaraḥ
FAQs
He is presented as the daitya-indra (chief among the Daityas) and as an undefeated (anirjita) enemy of the gods (suraśatru).
It indicates divine intervention in restoring cosmic balance: when the gods are threatened by an unconquered adversary, Īśvara arranges a birth or manifestation that will secure welfare and re-establish order.
The verse frames power and victory as ultimately subordinate to dharma and divine governance: even an “unconquered” force is not beyond the reach of the Lord’s corrective action for the protection and welfare of the world.