The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
वायव्यां माधवं चैव तथैशाने त्रिविक्रमम् । तथाष्टाक्षरदेवस्य गरुडं परितो न्यसेत् ॥ ४१ ॥
vāyavyāṃ mādhavaṃ caiva tathaiśāne trivikramam | tathāṣṭākṣaradevasya garuḍaṃ parito nyaset || 41 ||
Au nord-ouest, qu’on place (qu’on invoque) Mādhava, et au nord-est Trivikrama ; de même, tout autour du Seigneur du mantra Aṣṭākṣarī, qu’on dispose Garuḍa en cercle protecteur.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches a Vaiṣṇava nyāsa pattern: invoking specific Viṣṇu-names in specific directions and encircling the Aṣṭākṣarī Deity with Garuḍa, expressing protection, completeness, and reverent order in worship.
Bhakti here is practiced as attentive, name-centered worship: devotees honor Viṣṇu through His epithets (Mādhava, Trivikrama) and His devotee-mount Garuḍa, showing loving service through disciplined ritual placement.
It reflects ritual application of directional knowledge (dik-vinyāsa/nyāsa) used in pūjā and mantra-sādhana—an applied, technical aspect of Vedic ritual procedure rather than grammar or metrics.