Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
स्नानादिकक्रमं कृत्वा सर्वमेव यथाक्रमम् ।
मधुपानादिसम्भोगमाहारञ्च यथेप्सितम् ॥
snānādikakramaṃ kṛtvā sarvameva yathākramam / madhupānādisambhogamāhārañca yathepsitam
Après avoir accompli la suite des rites commençant par le bain—toute chose en son ordre prescrit—il prit ensuite la boisson au miel et d’autres jouissances, puis mangea selon son désir.
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Enjoyment (bhoga) is shown as legitimate when preceded by orderly conduct—purificatory acts and propriety—reflecting the Purāṇic ideal of moderated pleasure aligned with dharma.
Primarily ākhyāna (narrative instruction) rather than sarga/pratisarga/manvantara/vaṃśa; it supports dharma through story-context.
The sequencing (krama) symbolizes inner discipline: purification and alignment first, then engagement with sense-objects without disorder—an implicit yogic ethic within a royal narrative.