Bhīṣma’s Śara-śayyā Stuti to Vāsudeva and Yogic Preparation for Dehotsarga
Body-Relinquishment
यः सुपर्णा यजुर्नामच्छन्दोगात्रस्त्रिवृच्छिरा: । रथन्तरं बृहत् साम तस्मै स्तोत्रात्मने नमः
yaḥ suparṇā yajur-nāma chando-gātras tri-vṛc-chirāḥ | rathantaraṁ bṛhat sāma tasmai stotrātmane namaḥ ||
Bhishma dit : «Hommage au Seigneur dont la forme est hymne et louange : celui qui porte le nom de Yajus; dont les membres sont les mètres védiques tels que Gāyatrī; dont la tête est la récitation sacrée triple (trivṛt); et dont la voix apaisante est le Sāman nommé Rathantara et le Sāman nommé Bṛhat.»
भीष्म उवाच
The verse teaches reverence for the Veda and sacred sound by envisioning the divine as embodied in Vedic components—Yajus formulae, metres (chandas), and Sāman chants—implying that disciplined worship, truthful speech, and praise are supports of dharma.
In the Śānti Parva, Bhīṣma instructs Yudhiṣṭhira on dharma and spiritual foundations. Here he offers a stotra-like salutation, poetically personifying the Veda as a divine being whose body is made of metres and chants, thereby framing Vedic recitation and praise as sacred and ethically elevating.