Adhyāya 284: Tapas as a Corrective to Household Attachment
Parāśara’s Instruction
नमोस्तु कृशनासाय कृशाज्ञाय कृशाय च | संदह्ृष्टाय विहृष्ाय नम: किलकिलाय च
namo'stu kṛśanāsāya kṛśājñāya kṛśāya ca | sandahṛṣṭāya vihṛṣṭāya namaḥ kilakilāya ca ||
Bhīṣma dit : «Salut à toi dont le nez est fin ; salut à toi dont les traits sont délicats, et à toi dont le corps est svelte. Salut à toi qui flambes de joie, qui es comblé d’allégresse, et qui es la “kilakilā” elle-même : la sonorité claire et joueuse du rire. À toi, mon hommage.»
भीष्म उवाच
The verse models dharmic devotion through praise: reverent speech that contemplates auspicious qualities (even bodily epithets) as expressions of inner bliss. It suggests that honoring the divine with focused stuti cultivates steadiness, purity of mind, and a joyful orientation toward dharma.
In Śānti Parva, Bhīṣma—teaching from his bed of arrows—utters a laudatory address (stuti), offering repeated salutations using descriptive epithets and joy-filled attributes, culminating in the image of ‘kilakilā,’ the very sound of jubilant laughter.