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Shloka 9

Droṇavadha-saṃniveśaḥ — The Convergence Toward Droṇa’s Fall

Book 7, Chapter 164

तावन्योन्यं शरै: कृत्तौ व्यराजेतां नरर्षभौ । सुपुष्पौ पुष्पसमये पुष्पिताविव किंशुकौ,वे दोनों नरश्रेष्ठ एक-दूसरेके बाणोंसे घायल होकर वसनन्‍्त-ऋतुमें सुन्दर पुष्पवाले दो विकसित पलाशवृक्षोंके समान शोभा पा रहे थे

tāv anyonyaṃ śaraiḥ kṛttau vyarājetāṃ nararṣabhau | supuṣpau puṣpasamaye puṣpitāv iva kiṃśukau ||

Sañjaya dit : Ces deux héros, tels des taureaux parmi les hommes, tailladés et blessés par les flèches l’un de l’autre, brillaient d’un éclat saisissant—comme deux arbres kiṃśuka (la « flamme de la forêt ») au temps de la floraison, chargés de belles fleurs. Même au cœur des blessures réciproques, leur splendeur guerrière et leur constance au combat demeuraient visibles.

तौthose two
तौ:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Dual
अन्योन्यम्mutually, each other
अन्योन्यम्:
TypeIndeclinable
Rootअन्योन्य
शरैःwith arrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural
कृत्तौcut/wounded
कृत्तौ:
Karta
TypeAdjective
Rootकृत्त
FormMasculine, Nominative, Dual
व्यराजेताम्they shone, were resplendent
व्यराजेताम्:
TypeVerb
Rootवि + राज्
FormImperfect (Lan), 3rd, Dual, Parasmaipada
नरर्षभौthe two best of men
नरर्षभौ:
Karta
TypeNoun
Rootनरर्षभ
FormMasculine, Nominative, Dual
सुपुष्पौhaving beautiful flowers
सुपुष्पौ:
TypeAdjective
Rootसुपुष्प
FormMasculine, Nominative, Dual
पुष्पसमयेin the flowering season
पुष्पसमये:
Adhikarana
TypeNoun
Rootपुष्पसमय
FormMasculine, Locative, Singular
पुष्पितौin bloom
पुष्पितौ:
TypeAdjective
Rootपुष्पित
FormMasculine, Nominative, Dual
इवlike, as if
इव:
TypeIndeclinable
Rootइव
किंशुकौtwo palāśa (kiṃśuka) trees
किंशुकौ:
TypeNoun
Rootकिंशुक
FormMasculine, Nominative, Dual

संजय उवाच

S
Sañjaya
T
two heroes (nararṣabhau)
A
arrows (śara)
K
kiṃśuka tree (Butea monosperma)

Educational Q&A

The verse highlights a classical epic ethic of kṣatriya conduct: even when harmed, a warrior maintains resolve and dignity. It also shows how the Mahābhārata frames battlefield suffering through aesthetic imagery, suggesting that courage and steadfastness can appear radiant even amid violence.

Sañjaya describes two opposing champions in close combat. Both are struck and cut by each other’s arrows, yet they continue to stand out in brilliance, compared to two kiṃśuka trees blooming in season.