Navavyūha-pūjāvidhi: Bhūta-śuddhi, Nyāsa, Yogapīṭha, Maṇḍala-racanā, Mudrā-prayoga
छं डं पं यं कौस्तुभः प्रोक्तश्चानन्तो ह्यहमेव च / इत्यङ्गानियथायोगं देवदेवस्य वै दशा
chaṃ ḍaṃ paṃ yaṃ kaustubhaḥ proktaścānanto hyahameva ca / ityaṅgāniyathāyogaṃ devadevasya vai daśā
Les syllabes « chaṃ », « ḍaṃ », « paṃ » et « yaṃ » sont déclarées comme des désignations sacrées ; « Kaustubha » est aussi proclamé, et « Ananta » n’est en vérité nul autre que Moi-même. Ainsi, selon la juste correspondance, il faut comprendre les dix membres (aspects) du Dieu des dieux.
Lord Vishnu
Concept: Mantric designations and divine epithets correspond to the Lord’s ‘aṅgas’ (aspects/limbs), enabling meditative worship and identification of the Supreme with His symbols.
Vedantic Theme: Saguna-brahman upāsanā leading toward inner steadiness (śānta) and recognition of the one Self behind names and forms.
Application: Use the stated syllables/names in japa and mentally place them on the corresponding divine ‘limbs’ (aṅga-nyāsa) during pūjā or dhyāna.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.11.41-44 (iconographic elaboration and pūjā procedure)
This verse links specific seed-syllables with divine identifiers and attributes, showing how sound-symbols are used to contemplate and map the deity’s aspects in a structured (tenfold) way.
Indirectly: by emphasizing correct contemplative alignment (yathā-yogam) of divine aspects, it supports devotional focus and inner orientation—foundational themes that the text later connects to dharma and liberation.
Use mantra and remembrance of Vishnu’s attributes (Kaustubha, Ananta) as a disciplined contemplation practice—keeping mind and conduct aligned with dharma.