Kardama Muni’s Mystic Opulence, Devahūti’s Rejuvenation, and the Turning Toward Fearlessness
चक्षुष्मत्पद्मरागाग्र्यैर्वज्रभित्तिषु निर्मितै: । जुष्टं विचित्रवैतानैर्महार्हैर्हेमतोरणै: ॥ १९ ॥
cakṣuṣmat padmarāgāgryair vajra-bhittiṣu nirmitaiḥ juṣṭaṁ vicitra-vaitānair mahārhair hema-toraṇaiḥ
Avec des rubis de choix sertis dans ses murs de diamant, il semblait comme doté d’yeux. Il était pourvu de dais merveilleux et de portails d’or d’un prix inestimable.
Artistic jewelry and decorations giving the appearance of eyes are not imaginary. Even in recent times the Mogul emperors constructed their palaces with decorations of jeweled birds with eyes made of valuable stones. The stones have been taken away by the authorities, but the decorations are still present in some of the castles constructed by the Mogul emperors in New Delhi. The royal palaces were built with jewels and rare stones resembling eyes, and thus at night they would give off reflective light without need of lamps.
It portrays a wondrous, jewel-studded residence—diamond-like walls set with radiant rubies—adorned with colorful canopies and precious golden archways, highlighting extraordinary opulence.
The narrative uses opulence to show that even immense material splendor can be present around great souls, yet the deeper purpose is spiritual—leading Devahūti toward divine wisdom and devotion rather than attachment.
It reminds seekers to appreciate beauty and prosperity without becoming bound by them—using comfort as a support for dharma and bhakti, while cultivating inner detachment.