कुब्जानुग्रहः, धनुर्भङ्गः, कुवलयापीडवधः, मल्लयुद्धं, कंसवधः, स्तुतयः
मल्लप्राश्निकवर्गश् च रङ्गमध्यसमीपतः कृतः कंसेन कंसो ऽपि तुङ्गमञ्चे व्यवस्थितः
mallaprāśnikavargaś ca raṅgamadhyasamīpataḥ kṛtaḥ kaṃsena kaṃso 'pi tuṅgamañce vyavasthitaḥ
Por orden de Kaṃsa, el grupo de luchadores y sus asistentes fue colocado cerca del centro de la arena; y Kaṃsa mismo se instaló en un estrado elevado.
Sage Parasara (narrating to Maitreya)
It highlights Kaṃsa’s calculated control of the event—turning a public spectacle into a planned confrontation—setting the narrative tension just before divine justice overturns his rule.
Parasara narrates the deliberate staging—officials, wrestlers, and the king’s elevated seat—to show how adharma organizes power outwardly, even as destiny (under Vishnu’s supremacy) moves toward its correction.
Within Ansha 5, Krishna’s presence is the implied divine center: Kaṃsa’s apparent sovereignty is portrayed as temporary, while the Supreme Reality (Vishnu as Krishna) is the true governor of outcomes and moral order.