Shukra’s Curse on King Danda and Andhaka’s Challenge to Shiva
अपश्यंस्तीर्थसलिले स्नायमानान् नरोत्तमान् ततश्चित्राङ्गदा दृष्ट्वा जटामण्डलधारिणम्/ सुरथं हसती प्राह संरोहत्पुलका सखीम्
apaśyaṃstīrthasalile snāyamānān narottamān tataścitrāṅgadā dṛṣṭvā jaṭāmaṇḍaladhāriṇam/ surathaṃ hasatī prāha saṃrohatpulakā sakhīm
Vieron a hombres excelentes bañándose en el agua del tīrtha, el vado sagrado. Entonces Citrāṅgadā, al ver a Suratha—que llevaba un círculo de cabellos enmarañados (jaṭā)—sonriendo habló a su amiga, con el cuerpo erizado por la emoción.
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In Purāṇic geography, the defining act of a tīrtha is snāna. Mentioning ‘tīrtha-salila’ signals that the scene is anchored in a sanctified hydroscape where merit (puṇya) is accessed through contact with the water.
It marks Suratha as adopting ascetic appearance—matted locks arranged like a ‘maṇḍala’ (a circular crown/halo). This can indicate a vow (vrata), penance (tapas), or affiliation with Śaiva/ṛṣi culture typical of tīrtha environments.
Pulaka is a conventional sign of sudden emotional surge—recognition, love, awe, or devotional intensity. Here it foreshadows that Suratha is not a random ascetic but someone tied to her prior life-story or relationship, prompting the next explanatory speech.