The Saptarishis Seek Uma for Shiva: Himavan Grants the Marriage
ततो दिवाकरैः सर्वैर्वसुभिश्च तपस्विनी कुटिला ब3ह्मलोकं तु नीता शशिकरप्रभा
tato divākaraiḥ sarvairvasubhiśca tapasvinī kuṭilā ba3hmalokaṃ tu nītā śaśikaraprabhā
Entonces la asceta Kuṭilā —resplandeciente como los rayos de la luna— fue llevada a Brahmaloka por todos los Divākaras y por los Vasus.
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Austerity is portrayed as elevating consciousness and destiny: the tapasvinī is ‘nītā’ to Brahmaloka, suggesting that disciplined spiritual effort can culminate in proximity to the highest creative principle (Brahmā’s realm).
This is best read as Carita within Vaṃśānucarita (a narrative of individuals), with a cosmological inflection (loka-hierarchy) rather than a full Sarga/Pratisarga account.
Moonlike radiance (śaśikara-prabhā) symbolizes cooling purity and sattva associated with successful tapas; the escort by deva-collectives (Divākaras, Vasus) dramatizes that ascetic merit becomes a ‘public’ cosmic event acknowledged by multiple divine orders.