इन्द्रजितो यज्ञानुष्ठानं अन्तर्धानं च
Indrajit’s Rite and the Invisible Assault
जाज्वल्यमानोवपुषातपनीयपरिच्छदः ।मृगैश्चन्द्रार्धचन्द्रैश्च स रथस्समलङ्कृतः ।।।।
jājvalyamāno vapuṣā tapanīya-paricchadaḥ | mṛgaiś candrārdha-candraiś ca sa rathaḥ samalaṅkṛtaḥ ||6.80.13||
Ardiendo en su apariencia y revestido de ornamentos de oro, aquel carro estaba ricamente adornado con figuras de ciervos y con emblemas de luna y media luna.
The chariot was glittering incarnated with gold covered with images offull moon, crescent moon inscriptions and decorated with images of antelopes.
The verse underscores appearance versus essence: splendor can mask harmful intent; Dharma calls for judging actions by truth, consequence, and righteousness rather than ornamentation.
A detailed visual description is given of Indrajit’s ornate chariot immediately before his concealed assault.
Royal magnificence and intimidation through display—an assertion of power through symbols and grandeur.