रावणरथवैभव–निमित्तदर्शन–राममातलिसंवादः
Ravana’s Chariot, Portents, and Rama–Matali Instructions
समापतन्तंसहसास्वनवन्तंमहाध्वजम् ।।6.108.4।।रथंराक्षसराजस्यनरराजोददर्श ह ।कृष्णवाजिसमायुक्तंयुक्तंरौद्रेणवर्चसा ।।6.108.5।।दीप्यमानमिवाकाशेविमानंसूर्यवर्चसं ।तडित्पताकागहनंदर्शितेन्द्रायुधप्रभम् ।।6.108.6।।
kṛṣṇavājisamāyuktaṃ yuktaṃ raudreṇa varcasā |
Iba uncido a caballos oscuros y estaba aparejado con un fulgor feroz y airado.
Thereafter, Raghava, knower of the signs of victory in war and his own self experience felt joyful and proceeded to put an end to the enemy, exhibiting greater prowess.৷৷ ইত্যার্ষেবাল্মীকীযেশ্রীমদ্রামাযণেআদিকাব্যেযুদ্ধকাণ্ডেঅষ্টোত্তরশততমস্সর্গঃ ৷৷This is the end of one hundred and eighth sarga of Yuddha Kanda of the first epic the holy Ramayana composed by sage Valmiki.
Dharma here is implicit: outward power and splendor do not equal righteousness; the epic distinguishes might from moral legitimacy.
The narrator continues describing Rāvaṇa’s formidable battle-chariot as it approaches.
Discernment—readers are prompted to separate terrifying appearance from ethical standing.