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Shloka 9

The Glory of Bhārata-varṣa: Enumerating Mountains, Rivers, and Regions

अविज्ञाताः सारवंतो विपुलाश्चित्रसानवः । अन्ये तु ये परिज्ञाता ह्रस्वा ह्रस्वोपजीविनः

avijñātāḥ sāravaṃto vipulāścitrasānavaḥ | anye tu ye parijñātā hrasvā hrasvopajīvinaḥ

Los que permanecen desconocidos son sólidos y vastos, con cumbres maravillosas; pero los que son bien conocidos son pequeños, viviendo con escasos medios.

अविज्ञाताःunknown
अविज्ञाताः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootअविज्ञात (कृदन्त; √ज्ञा धातु, क्त-प्रत्यय; अ-निषेध)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; भूतकर्मणि क्त-प्रत्ययान्तम् (PPP)
सारवन्तःsubstantial, rich in essence
सारवन्तः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootसारवत् (प्रातिपदिक; सार + वतुप्)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; वतुप्-प्रत्ययान्तः (possessive: 'having essence')
विपुलाःvast
विपुलाः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootविपुल (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्
चित्रसानवःwith varied slopes/ridges
चित्रसानवः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootचित्रसानु (प्रातिपदिक; चित्र + सानु)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; 'चित्राः सानवः येषाम्' इत्यर्थे (having varied ridges/slopes)
अन्येothers
अन्ये:
Karta (Subject/कर्ता)
TypeNoun
Rootअन्य (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; 'others' (nominative plural)
तुbut
तु:
Sambandha (Connector)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/विशेषार्थक-निपातः (particle: 'but/indeed')
येwho
ये:
Karta (Subject/कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; सम्बन्धक-सर्वनाम (relative pronoun: 'who')
परिज्ञाताःwell-known
परिज्ञाताः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootपरिज्ञात (कृदन्त; √ज्ञा धातु, क्त-प्रत्यय; परि-उपसर्ग)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; भूतकर्मणि क्त-प्रत्ययान्तम् (PPP: 'well-known')
ह्रस्वाःsmall/short
ह्रस्वाः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootह्रस्व (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्
ह्रस्वोपजीविनःliving on little, of meagre livelihood
ह्रस्वोपजीविनः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootह्रस्वोपजीविन् (प्रातिपदिक; ह्रस्व + उपजीविन्)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; 'ह्रस्वेन उपजीवन्ति' इत्यर्थे (dependent on scant means)

Unspecified in the provided excerpt (context needed from surrounding verses to confirm the dialogue frame, e.g., Pulastya–Bhīṣma).

Concept: Hidden worth surpasses public renown; cultivate substance over display.

Application: Prefer quiet discipline—japa, vrata-niyama, charity, and truthful living—without craving recognition; evaluate teachers/communities by conduct and compassion rather than popularity.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A contemplative sage sits on a high, mist-wreathed ridge, pointing toward two landscapes: one is a vast, unnamed mountain range with hidden valleys and towering, wondrous peaks; the other is a small, crowded hill-town plastered with banners and praise. Pilgrims pass by, some chasing the noisy fame, others quietly turning toward the silent grandeur.","primary_figures":["a meditative ṛṣi (narrator-figure)","anonymous pilgrims","personified Mountain-Spirit (optional)"],"setting":"Himalayan-like overlook with distant ranges, a small bustling settlement below, and a quiet path leading into the unknown heights.","lighting_mood":"golden dawn","color_palette":["mist silver","pine green","slate blue","saffron gold","earth umber"],"tanjore_prompt":"Tanjore painting style: a serene ṛṣi on a rocky pedestal gestures toward two contrasting vistas—an expansive, unnamed mountain with ornate, stylized peaks and a small famed town below; gold leaf highlights on the peaks and the sage’s halo, rich maroon and emerald accents, gem-studded ornaments on symbolic banners, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: delicate brushwork showing layered blue-grey mountains fading into mist, a small lively hill settlement with tiny figures and flags, and a calm sage in simple robes; lyrical naturalism, refined faces, cool palette with warm dawn wash, Himalayan flora along the path.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; central sage with large expressive eyes, stylized mountains behind—one vast and quiet, one small and crowded; red-yellow-green palette with ochre rocks, minimal but powerful symbolism of humility vs fame.","pichwai_prompt":"Pichwai cloth painting style: allegorical composition with lotus borders and floral vines; a saintly figure points to a grand, unnamed ‘tīrtha-mountain’ rendered as a patterned motif, contrasted with a small celebrated shrine crowded with devotees; deep indigo background, gold detailing, intricate border work, peacocks perched on rocks to suggest discernment."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","mountain wind","distant temple bell","brief silence between pādas"]}

Sandhi Resolution Notes: विपुलाश्चित्रसानवः = विपुलाः + चित्रसानवः; ह्रस्वोपजीविनः = ह्रस्व + उपजीविनः (o-sandhi).

FAQs

It contrasts hidden greatness (unknown yet substantial and expansive) with public fame that may be outwardly prominent but inwardly “small,” sustained by limited substance.

Not necessarily; it cautions that recognition is not a reliable measure of real worth—true value can remain unnoticed, while what is popular may be shallow.

Seek substance over reputation: cultivate genuine qualities and depth rather than pursuing mere visibility or acclaim.