Saṃdhyāvalī-ākhyāna
Mohinī-parīkṣā; Dvādaśī-vrata-mahattva
हरयेऽद्भुतसिंहाय वामनाय महात्मने । क्रोडरूपाय मत्स्याय प्रलयाब्धिनिवासिने ॥ २५ ॥
haraye'dbhutasiṃhāya vāmanāya mahātmane | kroḍarūpāya matsyāya pralayābdhinivāsine || 25 ||
Saludaciones a Hari—que se manifestó como el asombroso Hombre-León, como Vāmana el Enano, como el Jabalí de gran alma, y como Matsya, el Pez que mora en el océano en el tiempo de la disolución cósmica.
Narada (as a stotra/invocation within the narrative tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It teaches smaraṇa-bhakti (devotional remembrance) by honoring Hari through multiple avatāras, presenting Vishnu as the single refuge who protects the cosmos in crisis—whether through Narasimha’s protection, Vāmana’s dharma-restoration, Varāha’s rescue, or Matsya’s guidance at pralaya.
It models stuti and nāma-smaraṇa: devotion expressed through reverent salutations to Vishnu’s forms. By contemplating the Lord’s compassionate interventions across ages, the devotee’s faith (śraddhā) and surrender (śaraṇāgati) deepen.
The verse functions as a stotra suitable for pāṭha (recitation) and japa, aligning with Śikṣā (correct pronunciation) and Chandas sensitivity in chanting; it also reflects Purāṇic itihāsa-based remembrance used in ritual worship (pūjā) and vrata contexts.