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Shloka 11

Cyavana’s Tapas, Sukanyā’s Curiosity, and Śaryāti’s Appeasement (च्यवन-सुकन्या-उपाख्यान आरम्भ)

तां पश्यमानो विजने स रेमे परमद्युति: । क्षामकण्ठश्न विप्रर्षिस्तपोबलसमन्वित:,उसे एकान्तमें देखकर परम कान्तिमानू, तपोबल-सम्पन्न एवं दुर्बल कण्ठवाले ब्रह्मर्षि च्यवनको बड़ी प्रसन्नता हुई

tāṃ paśyamāno vijane sa reme paramadyutiḥ | kṣāma-kaṇṭhaś ca viprarṣis tapo-bala-samanvitaḥ ||

Al verla allí, en soledad, el asceta de suprema luminosidad sintió un hondo deleite. Aunque su garganta, adelgazada por las austeridades, estaba debilitada, aquel brahmarṣi Cyavana—dotado de la fuerza nacida del tapas—se complació en su fuero interno.

ताम्her
ताम्:
Karma
TypePronoun
Rootतद्
FormFeminine, Accusative, Singular
पश्यमानःseeing
पश्यमानः:
Karta
TypeVerb
Rootपश्यत् (√दृश्)
FormMasculine, Nominative, Singular, शतृ (present active participle)
विजनेin a solitary place
विजने:
Adhikarana
TypeAdjective
Rootविजन
FormMasculine/Neuter, Locative, Singular
सःhe
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
रेमेrejoiced / was delighted
रेमे:
TypeVerb
Root√रम्
FormPerfect (लिट्), 3rd, Singular, Ātmanepada
परमद्युतिḥof supreme splendor
परमद्युतिḥ:
Karta
TypeAdjective
Rootपरमद्युति
FormMasculine, Nominative, Singular
क्षामकण्ठःhaving a weak/thin throat
क्षामकण्ठः:
Karta
TypeAdjective
Rootक्षामकण्ठ
FormMasculine, Nominative, Singular
विप्रर्षिःbrahmin-sage
विप्रर्षिः:
Karta
TypeNoun
Rootविप्रर्षि
FormMasculine, Nominative, Singular
तपोबलसमन्वितःendowed with ascetic power
तपोबलसमन्वितः:
Karta
TypeAdjective
Rootतपोबलसमन्वित
FormMasculine, Nominative, Singular, क्त (past passive participle) from सम्+√अन्वि/अन्वि (समन्वित = endowed/possessed)

लोगश उवाच

B
brahmarṣi (sage)
T
tām (a woman, unnamed in this verse)

Educational Q&A

The verse highlights that spiritual discipline (tapas) generates a distinct kind of strength and fulfillment: even when the body appears weakened, the ascetic’s inner power and clarity can be radiant and ethically significant.

A supremely radiant sage, marked by ascetic emaciation yet empowered by tapas, sees a woman alone in a secluded place and feels pleased—setting a scene where ascetic presence and a private encounter become narratively important.