Kṛṣṇa at Duryodhana’s House: Refusal of Hospitality and Departure to Vidura (कृष्णस्य धार्तराष्ट्रनिवेशनगमनम्)
रथनेमिनिनादैश्व व्यबोध्यन्त तदा गृहे । शड्खभेरीनिनादेन वेणुवीणानुनादिना
rathanemi-ninādaiś ca vyabodhyanta tadā gṛhe | śaṅkha-bherī-ninādena veṇu-vīṇā-nunādinā ||
Dijo Vaiśampāyana: Entonces, dentro de las casas, la gente fue despertada y puesta en alerta por el retumbo de las ruedas de los carros—junto con el clamor de las caracolas y los timbales, y la resonancia continua de flautas y vīṇās. La escena muestra un despertar colectivo en el que la preparación marcial y la música ceremonial se funden, anunciando un avance decisivo hacia la acción.
वैशम्पायन उवाच
The verse highlights how collective life is shaped by signals and sounds: martial instruments and festive music together can awaken a community to impending duty and decisive action. It suggests that public ceremonies often carry ethical weight, preparing people psychologically for consequential choices.
A household (or palace setting) is stirred awake and alerted by the loud approach and preparations associated with chariots and instruments—conches, drums, flutes, and vīṇās—indicating a significant movement or assembly connected with royal or martial activity.