मरुतश्न सहेन्द्रेण विश्वेदवास्तथैव च । बभूवुश्चैव यक्षाश्न॒ गन्धर्वोरगराक्षसा:,समस्त लोकपाल उनकी भुजाओंमें स्थित थे। मुखसे अग्निकी लपटें निकलने लगीं। आदित्य, साध्य, वसु, दोनों अश्विनीकुमार, इन्द्रसहित मरुद्गण, विश्वेदेव, यक्ष, गन्धर्व, नाग और राक्षस भी उनके विभिन्न अंगोंमें प्रकट हो गये
marutaś ca sahendreṇa viśvedevās tathaiva ca | babhūvuś caiva yakṣāś ca gandharvoragarākṣasāḥ ||
Dijo Vaiśaṃpāyana: Junto con Indra aparecieron allí los Maruts, y asimismo los Viśvedevas. Yakṣas, Gandharvas, Nāgas (seres serpiente) y Rākṣasas también se manifestaron en sus diversos miembros. El pasaje retrata una teofanía cósmica: las potencias que gobiernan y pueblan los mundos se muestran morando en una sola forma sobrecogedora, subrayando que la autoridad y el conflicto terrenales están bajo un orden superior y abarcador.
वैशम्पायन उवाच
The verse emphasizes that diverse divine and semi-divine powers—often seen as separate—are encompassed within a single supreme manifestation. Ethically, it suggests that human plans, rivalries, and even war preparations in the Udyoga context are subordinate to a larger dharmic-cosmic order.
A wondrous, overwhelming form is being described in which many classes of beings (Maruts with Indra, Viśvedevas, Yakṣas, Gandharvas, Nāgas, and Rākṣasas) appear as present within the figure’s limbs—signaling a revelation of vast, world-containing power.