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Shloka 166

Adhyāya 108: Paścima-dik—Varuṇa’s Realm, Sunset Cosmology, and Sacred-Geographic Markers

Suparṇa–Gālava संवाद

लब्धवान्‌ युध्यमानौ द्वौ बृहन्तौ गजकच्छपौ । गालव! पूर्वकालकी बात है, मैं भूखसे पीड़ित होकर भारी चिन्तामें पड़ गया था, परंतु इसी दिशामें आनेपर दो विशाल प्राणी--हाथी और कछुआ मेरे हाथ लग गये, जो आपसमें लड़ रहे थे

labdhavān yudhyamānau dvau bṛhantau gajakacchapau | gālava! pūrvakālakī bāta hai, maiṃ bhūkha-se pīḍita hokara bhārī cintā-meṃ paṛa gayā thā, parantu isī diśā-meṃ āne-par do viśāla prāṇī—hāthī aura kacchuā—mere hātha laga gaye, jo āpas-meṃ laṛ rahe the |

Dijo Yūparṇa: «Gālava, esto ocurrió hace mucho tiempo. Atormentado por el hambre, caí en una grave angustia; pero al llegar por esta dirección, dos criaturas enormes vinieron a caer en mis manos—un elefante y una tortuga—que luchaban entre sí.»

लब्धवान्having obtained / I obtained
लब्धवान्:
Karta
TypeVerb
Rootलभ् (धातु)
Formक्तवतु (past active participle), Masculine, Nominative, Singular
युध्यमानौfighting (two)
युध्यमानौ:
Karma
TypeVerb
Rootयुध् (धातु)
Formशतृ (present active participle), Masculine, Accusative, Dual
द्वौtwo
द्वौ:
Karma
TypeAdjective
Rootद्वि (प्रातिपदिक)
FormMasculine, Accusative, Dual
बृहन्तौhuge / mighty (two)
बृहन्तौ:
Karma
TypeAdjective
Rootबृहन्त् (प्रातिपदिक)
FormMasculine, Accusative, Dual
गजकच्छपौan elephant and a tortoise
गजकच्छपौ:
Karma
TypeNoun
Rootगज + कच्छप (प्रातिपदिके)
FormMasculine, Accusative, Dual

युपर्ण उवाच

युपर्ण (Yuparṇa)
गालव (Gālava)
गज (elephant)
कच्छप (tortoise)

Educational Q&A

The verse highlights a recurring Mahābhārata ethical tension: distress (here, hunger) can drive one into anxiety and force hard choices, yet circumstances may unexpectedly provide a means of survival. It invites reflection on how necessity, compassion, and dharma are negotiated when life is threatened.

Yuparṇa recounts to Gālava that, while suffering from hunger and worry, he came upon two massive beings—an elephant and a tortoise—locked in combat. Their fight results in his obtaining them, setting up the next part of the story about what he does thereafter.